Diego Hernández Sancho (b. 1996.  Zaragoza, Spain) is a multidisciplinary artist working primarily with photography, time-based media, installation and found objects. He lives and works in London, UK.

His work engages with the concept of time and a psychoanalytic understanding of nostalgia. Through photography, his practice considers the limitations of photographic language and the inadequacy of language itself as modes of representation. In doing so, it reflects on subjectivity, transience, and the unstable relation between image and reality.

Interested in the elasticity of time and memory, he conceives photography as a speculative apparatus imbued with paranormal qualities, examining the unstable boundary between representation and the supernatural. Drawing on the ghostly logic of horror fiction, his practice explores how images suspend, distort, and rupture ordinary reality through their emotional dimension.

Heavily influenced by filmmaking and montage techniques, Diego’s work constructs meaning through the recombination of images and media, trusting interpretation to emerge from the tension and interaction between discordant elements.

In 2022, he founded PANG! Projects, an itinerant platform for contemporary creatives, based primarily between London and Barcelona.








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YOUR HEART TO A DOG TO TEAR


LONDON, DEC. 2022.

VISIT WEBSITE

PARTICIPANT ARTISTS

MARIIA ANNENKOVA
MONIKA CHLEBEK
LUCY EVETTS
ALYSSA KAZEW
GRACE LEE
LISA LILJESTRÖM
DAVID LINDERT
RANALD MACDONALD
MAIKY MAIK
JUAKI PESUDO
IRIS SAN
CHERI SMITH
CRISTINA STOLHE
BO SUN





There is sorrow enough in the natural way
From men and women to fill our day;
    And when we are certain of sorrow in store,   
Why do we always arrange for more?
Brothers and Sisters, I bid you beware
Of giving your heart to a dog to tear

                  - The Power of the Dog.
                 Rudyard Kipling (1865-1936)




Waves of grief and joy intertwine in Rudyard Kipling’s poem, The Power of the Dog, both elegy and celebration of the affection his canine companion bestowed upon the artist through the shared course of their lifetime.

Questioning the almost masochistic desire for unconditional love whose source’s lifespan is inevitably shorter than the writer’s, Rudyard understands the relationship between dogs and dog owners as an exercise of acceptance of the coexistence of love and death, good and evil, and the ultimate victory of the first as a consequence of its persistence over the ultimate fate of their animal friends.

Dogs as a member of a family unit are considered as professors on the understanding of goodness and selflessness, through which to love and celebrate the notion of the other.

Their lack of self-conceptualization, the impossibility of looking at themselves in the mirror, a total abandonment of the ego.

In this exhibition the canine figure oscillates between friendly and menacing, spiritual and vulgar, dark and loving; in an array of feelings and perspectives that mirrors Kipling’s nuance take on an otherwise overlooked presence.

Honouring the complexity and long journey of dog companionship next to humans, and the diversity of onlooks that art history has fabricated towards our pets, the exhibition embraces multiple styles and discordant voices.

This exhibition donateD a 10% of its sales to All Dogs Matter.

“ All Dogs Matter is a dog rescue and rehoming charity working in and around London to transform the lives of unwanted and abandoned dogs. We also rehome dogs in need from overseas.
In 2021 All Dogs Matter rescued and rehomed 330 dogs with new owners. We also found forever homes for 48 unwanted and abandoned dogs from China, Egypt and Italy.”

Dogs, like art, possess the beauty of a life that touches others.




















©DiegoHernandezSancho

All Images Diego Hernández Sancho.
-2025-